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Capus and Griffin insist that Olbermann’s broadcast is like an opinion section in a newspaper, suitable to what they call MSNBC’s “cable sensibility.” Olbermann differs. He begins each “Countdown” with the Beethoven theme from NBC’s “Huntley-Brinkley Report,” and concludes with Murrow’s signature sign-off, “Good night, and good luck.” He maintains that “Countdown” is very much part of that continuum. “It is a newscast with commentary and analysis, the way most really good newscasts used to be,” he says. “Dosages of the various components vary in a greater degree than we’re used to, or maybe were even done in the heyday of this kind of thing. But if you listen to those daily Murrow newscasts in the forties on the radio, Murrow would do the news, two and a half, three minutes, take a break, and then do a two- or three-minute commentary.” It could be argued that Murrow’s work in wartime London—he would report on the Battle of Britain, and also advocate against continued American neutrality in the war—is hardly the same thing as telling the President to “shut the hell up,’’ or posing the question regarding Bush (as Olbermann did): “Pathological Presidential Liar or an Idiot-in-Chief?” But Olbermann contends that the labored pretense of neutrality in the news business is a fruitless exercise.
